Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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carl gustaf hellqvist
Entry into Sthlm

ID: 84802

carl gustaf hellqvist Entry into Sthlm
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carl gustaf hellqvist Entry into Sthlm


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carl gustaf hellqvist

  Related Paintings of carl gustaf hellqvist :. | Peder Sunnanvaders and Master Knuts Ignominious Entry into Sthlm | Entry into Sthlm | Valdemar Atterdag holding Visby to ransom | Gustaf Vasa anklagar biskop Peder Sunnanvader infor domkapitlet i Vasteras | Religious Discourse between Olaus Petri and Peder Galle |
Related Artists:
Frank Blackwell Mayer
American Painter, 1827-1899
Elihu Vedder
American Symbolist Painter, 1836-1923 American painter, illustrator, sculptor and writer. He studied under Tompkins Harrison Matteson in Shelbourne, NY, and went to Paris in March 1856. After eight months in the studio of Fran?ois-Edouard Picot, he settled in Florence until the end of 1860. There he learnt drawing from Raffaello Bonaiuti, became interested in the Florentine Renaissance and attended the free Accademia Galli. A more significant artistic inspiration came from the Italian artists at the Caff? Michelangiolo: Telemaco Signorini, Vincenzo Cabianca (1827-1902) and especially Nino Costa (1827-1902). This group sought new and untraditional pictorial solutions for their compositions and plein-air landscapes and were particularly interested in the experiences of Gustave Courbet and the Barbizon painters. They became known as Macchiaioli for their use of splashes (macchia) of light and shadows and for their revolutionary (maquis) attitude to prevailing styles. Among Vedder's most notable Florentine landscapes are Mugnone Torrent near Fiesole (Detroit, MI, Inst. A.) and Le Balze, Volterra (Washington, DC, N. Mus. Amer. A.)
Largillierre
Paris 1656-1746 French painter. Following his early training in Antwerp and London, he established himself in Paris, becoming one of the most successful portrait painters of the second half of Louis XIV's reign. Although Largillierre was patronized by the Court, most of his sitters came from the wealthy middle classes; by the end of his career he had produced (by conservative estimates) some 1500 portraits. In 1734-5 and again in 1738-42 he was Directeur of the Academie Royale de Peinture et de Sculpture.






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